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求婚尚未成功，下次仍需努力！求婚次數∞ 路克的手機鬧鐘響起，開始特別的一天：為求婚行程做準備。當晚上的重頭戲來臨，路克單膝下跪，說出請妳嫁給我的標準台詞，女友小彩原本開心的樣子卻拉下臉來，拒絕了他並轉頭離開。路克起身追了上去，但視線卻逐漸模糊了起來⋯⋯。鬧鐘再度響起，他起身後發現竟然又回到同一天早晨，重複上演被小彩拒絕求婚！女友的拒絕彷彿一道咒語，日復一日陷入求婚的無限迴圈，到底怎麼回事？ 本片由新銳導演稅成鐸執導，蔡凡熙及郭書瑤繼《通靈少女》後二度攜手合作，以時間不停回朔的概念為主題，展開一場瘋狂又奇幻的求婚之旅，宛如青春浪漫版的《今天暫時停止》。。因为一个再婚的消息，让四个来自完全不同家庭的高中生走到了一起。处在青春期的他们，在各自面对问题时所表现出的态度，增添了无法抹去的悲剧色彩。孩子们最终发现，不是每一个错误，他们都有能力为此买单。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。