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讲述匹兹堡一家医院的医护人员日常应对个人危机、职场政治和危重病人的情志护理等情况,检视当今美国医疗工作者所面临的挑战,揭示他们肩负崇高使命所需的韧性。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。《无耻之徒》于2003开始制作,2004年初首播,已经走过了10年的历程,曾赢得过BAFTAs和英国喜剧奖等诸多奖项。根据其翻拍的美版也获得了巨大成功,收视口碑双丰收,美版《无耻之徒第十一季》将于2013年2月26日播出。。