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法国大导演路易·马勒的最后遗作，采用颇为复杂的戏中戏方式来探讨人生如戏，戏如人生的微妙交错关系。片中多名演员时而是自己，时而变成戏中的角色，在真假虚实的人生互动中诠释他们之间纠缠不清的感情关系。全片的影像感较单调，但演技相当精彩，被美联社选为90年代十大最佳影片之一。。Posing as a foppish coward, Diego, a Spanish nobleman, fights injustice in colonial California. Upon his return from Spain, Diego realizes that Captain Pasquale is terrorizing the district and levying unreasonable taxes. Disguised as Zorro - a masked Robin Hood-like swashbuckler - the young Spaniard menaces the local authorities to the delight of all the peasants. In the meanti...。This installment of the Classic Albums series looks at the making of Lou Reed's seminal glam-rock solo album, Transformer, featuring a relaxed Reed (though decidedly less glam than he was in '72) looking like he's having the time of his life as he reminisces and isolates separate tracks to illustrate how the album came together. Bassist Herbie Flowers demonstrates how he record...。