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总共5个单元34集： 《我要富贵》(四) 《别针换别墅》(八) 《明明》(八) 《不要和陌生人打球》(九) 《租房风波》(五) 1.《我要富贵》 老七结婚了，排场非常大，杨光、条子和邻居们也来参加。结婚典礼上，杨光和条子两个光棍幻想着自己成为新郎，演出了一幕幕闹剧。两人都喝多了，新郎、新娘来敬酒，他们把老七以前捅过人、蹲过监狱，还有一个女朋友娟子的事都给抖露出来，弄得老七很尴尬，新娘生气跑了。杨光和条子醒酒后却记不得说错了话，好在老七不计较这些，把他们还当好朋友，又在大酒店请他们吃饭。婚后的老七怕老婆，因为老婆家里有钱，他要天天给老婆洗脚。杨光和条子羡慕老七找了一个有钱的老婆，想到老七的公司上班。看在朋友情面上，老七答应了。正好和老七有生意往来的赵总来天津，杨光和条子开车去接。半路发生追尾，开车的女人赔了他们两千块钱。到机场接到赵总，赵总的老婆也来了...。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。